L'intérieur d'une forge et la neige à l'extérieur. H.Lefort

The interior of a forge and the snow outside. H. Lefort
She deserves this stereo from H.Lefort, causes a very big imbalance in intensity between L and R. Part of a series with a couple or several blacksmiths are at work while outside, it is snowing and passing various people, some of whom, like here, could have used a little warmth with a baby...
By reading the establishment's sign, everyone under the snow is warned:
Blacksmith’s name: “PASBEAU” (Not handsome)
is he staying? No “LOGE A PIED” (Lodge on foot).
So stay on the sidewalk and still “Shoe your horses”…
In other words, don't disturb us while we're working and go on your way.
Nice big bastards! Lefort was launching into the social sector?
Note that almost all of these characters portrayed often come from the simple people.
Note the same subterfuge with fishing line and cotton for snow already used for the small waterfall on
www.flickr.com/photos/193116254@N07/54092265129/in/datepo...
Les Blanchisseuses en extérieur.

There are several different views, some of which are taken in diorama as on the interesting site of Paula Fleming

www.flemingphotohistory.com/tissue-stereoviews/tissue/tis...

Print probably either by Paul Duverdun or the Gaudins from 1864, date of sale of the Lefort collection and his end of career as a photographer returning to producing plates (2000*) in diorama for his eidoscope* which he had deposited in 1855 * with a single eyeglass.
* S: D.P stereo photography under the Second Empire, Ed. BNF. 1996

Elle se méritait cette stéréo de H.Lefort, cause un très gros déséquilibre d'intensité entre G et D. Fait partie d'une série avec un couple ou plusieurs forgerons sont au travail alors qu'à l’extérieur, il neige et passe divers personnes dont certaines comme ici aurait bien eu besoin d'un peu de chaleur avec un bébé...
En lisant la pancarte de l’établissement, tous sous la neige sont avertis :
Nom du forgeron :« PASBEAU » (Pas beau)
loge-t-il ? Non "LOGE A PIED » (Loge à pied).
Donc rester sur le trottoir et quand même « Ferre les chevaux »...
En d'autres termes, ne nous dérangez pas quand on travaille et passez votre chemin.
Sympathiques gros con ! Lefort se lançait dans le social ?
Remarquez que pratiquement tous ces personnages mis en scène viennent souvent du peuple.
Notez le même subterfuge avec du fil de pêche et du coton pour la neige utilisé déjà pour la petite chute d'eau sur
www.flickr.com/photos/193116254@N07/54092265129/in/datepo...
Les Blanchisseuses en extérieur.

Il existe plusieurs vues différentes dont certaines tirées en diorama comme sur l’intéressant site de Paula Fleming

www.flemingphotohistory.com/tissue-stereoviews/tissue/tis...

Tirage probablement soit de Paul Duverdun ou les Gaudins à partir de 1864, date de vente du fond Lefort et sa fin de carrière de photographe se remettant à produire des plaques (2000*) en diorama pour son eidoscope* qu'il avait déposé en 1855* à un seul lorgnon.
* S : D.P la photographie stéréo sous le Second Empire, Ed. BNF. 1996

She deserves this stereo from H.Lefort, causes a very big imbalance in intensity between L and R. Part of a series with a couple or several blacksmiths are at work while outside, it is snowing and passing various people, some of whom, like here, could have used a little warmth with a baby...
By reading the establishment's sign, everyone under the snow is warned:
Blacksmith’s name: “PASBEAU” (Not handsome)
is he staying? No “LOGE A PIED” (Lodge on foot).
So stay on the sidewalk and still “Shoe your horses”…
In other words, don't disturb us while we're working and go on your way.
Nice big bastards! Lefort was launching into the social sector?
Note that almost all of these characters portrayed often come from the people.
There are several different views, some of which are taken in diorama as on the interesting site of Paula Fleming

www.flemingphotohistory.com/tissue-stereoviews/tissue/tis...

Print probably either by Paul Duverdun or the Gaudins from 1864, date of sale of the Lefort collection and his end of career as a photographer returning to producing plates (2000*) in diorama for his eidoscope* which he had deposited in 1855 * with a single eyeglass.

* S: D.P Stereo photography under the Second Empire, Ed. BNF. 1996

Taken on: November 2, 2024

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