This moon shot is from September 27th, 2010
The moon in the pre-dawn sky
Test Shoot #3 of a Kodak EasyShare Z915 10x optical zoom demo camera on clearance sale at Target.
Exposure 0.008 sec (1/125)
Aperture f/4.8
Focal Length 62 mm That's the max focal length.
ISO Speed 400
100_0109
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For all my Sea Gate friends who taught me the ditty that they learned at Lincoln High School in Brooklyn NY. They would sing to Grieg's tune:
"Morning is dawning,
While Peer Gynt is yawning,
and Grieg is composing this song...
It was an easy way to remember Edvard Grieg's musical suites for Ibsen's play "Peer Gynt," a five-act play in verse by the Norwegian dramatist Henrik Ibsen. I can still hum it, and even sing it;)))
It's strange what pops into my head:..;))
I didn't take Music Appreciation courses until College...
Ibsen asked Edvard Grieg to compose incidental music for the play. Grieg composed a score that plays approximately ninety minutes. Grieg extracted two suites of four pieces each from the incidental music (Opus 46 and Opus 55), which became very popular as concert music. Two of the sung parts of the incidental music ended up in these suites (the famous In the Hall of the Mountain King in the 1st suite with the vocal parts omitted, and the last part of 2nd suite, Solveig's Song, the solo part now played by violin rather than sung, though the vocal version is sometimes substituted). (Originally, the second suite had a fifth number, The Dance of the Mountain King's Daughter, but Grieg withdrew it.) Grieg himself declared that it was easier to make music "out of his own head" than strictly following suggestions made by Ibsen. For instance, Ibsen wanted music that would characterize the "international" friends in the fourth act, by melding the said national anthems (Norwegian, Swedish, German, French, and English). Reportedly, Grieg was not in the right mood for this task.
The music of these suites, especially Morning Mood starting the first suite, In the Hall of the Mountain King, and the string lament Åse's Death later reappeared in numerous arrangements, soundtracks, etc.
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A synopsis of Act V of Ibsen's "Peer Gynt"
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Finally, on his way home as an old man, he is shipwrecked. Among those on board, he meets the Strange Passenger, considered by some[by whom?] scholars to be the ghost of Lord Byron. The Strange Passenger wants to make use of Peer's corpse to find out where dreams have their seat. This passenger scares Peer out of his wits. He lands onshore bereft of all of his possessions, a pitiful and grumpy old man. Back home in Norway, Peer Gynt attends a peasant funeral, and an auction, where he offers for sale everything from his earlier life. The auction takes place at the very farm where the wedding once was held. Peer stumbles along and is confronted with all that he didn't do, his unsung songs, his unmade works, his unwept tears, and his questions that were never asked. His mother comes back and claims that her deathbed went awry. He didn't lead her to heaven with his ramblings. Peer escapes and is confronted with the Button-moulder, who maintains that Peer's soul must be melted down with other faulty goods unless he can explain when and where in life he has been "himself." Peer protests. He has been only that, and nothing else. Then he meets the troll king, who states that he has been a troll, not a man, most of his life. The moulder comes along and says that he has to come up with something if he is not to be melted down. Peer looks for a priest to confess his sins, and a character named the Lean One (who is probably the Devil), turns up. He believes Peer cannot be accounted a real sinner who can be sent to hell. He has not done anything serious. Peer despairs in the end, understanding that his life is forfeited. He understands he is nothing. But at the same moment, Solveig starts to sing — the cabin he himself built, is close at hand, but he dares not enter. The Bøyg in him tells him "around." The moulder shows up and demands a list of sins, but Peer has none to give unless Solveig can vouch for him. Then he breaks through to her, asking her for his sins. But she answers: "You have not sinned at all, my dearest boy." Peer does not understand — he believes himself lost. Then he asks her: "Where has Peer Gynt been since we last met? Where was I as the one I should have been, whole and true, with the mark of God on my brow?" She answers; "In my faith, in my hope, in my love." Peer screams and calls her mother, and hides in her lap. Solveig sings her lullaby to him, and we might presume he dies in this last scene of the play, although there are no stage directions or dialogue to indicate that he actually does.
Behind the corner, the button-moulder, who is sent by God, still waits, with the words: "Peer, we shall meet at the last crossroads, and then we shall see if. .. I'll say no more."
