Jerome Grand Hotel /|\ Touring Sedan /|\ Packard One Eighty /|\ Art Moderne Streamlined Hood Ornament

$Jerome Grand Hotel /|\ Touring Sedan /|\ Packard One Eighty /|\ Art Moderne Streamlined Hood Ornament$

            1941 Packard 180 Touring Sedan

The Packard 180 was introduced for the 1940 model year (18th series) by the Packard Motor Car Company to replace the discontinued V-12 as their top-of-the-line luxury model. The correct name of the model was Custom Super Eight One-Eighty. The car was derived from the Packard Super Eight One-Sixty with which it shared the complete running gear including the in-line eight-cylinder, 356-cubic-inch (5,830 cc) engine that developed 160 horsepower. It was advertised as the most powerful eight-cylinder engine offered by any automobile manufacturer in 1940. (By contrast, the Cadillac 346 cubic inch V-8 developed 150 hp).

Packards of all series (110, 120, 160, 180) shared similar body styling in 1940 (which some later said led to a "cheapening" of the once-exclusive luxury marque), using the same bodies with hoods and front fenders of different length to meet their respective chassis. Thus the 160 and 180 got identical bodies. However, the 180s featured finer interior detailing with the best fabrics, leather and carpeting available. Packard used a special woolen ceiling in these cars only which was sewn longitudinally. Packard built the partition in its Limousines in a way that there was no hint of it when the partition glass was lowered, allowing the owner to use the car by himself as a sedan (thus the designation "Sedan Limousine" by Packard).

In 1940, Packard made air conditioning an option. It was developed by the Henney Motor Company with whom Packard had a long lasting business connection and used on Henney bodied ambulances as early as 1938. It was the first time that A/C was available on a stock automobile.
In an exclusive agreement with Packard since 1937 until Henney's demise in 1954, Henney provided bodies for Packards's ambulances, hearses and flower cars, and they often provided special custom body work for passenger cars. The pre-WWII Henney models usually had 160-180 trim but were actually on the Packard 120A 156" wheelbase chassis with the smaller 288 cubic inch engine although there were also 160 and 180 versions available.

There were minor styling changes in the 1941 and 1942 models (19th and 20th series), the most notable of which was the moving of the headlights into the fenders. Also for the first time, running boards could be deleted with a rocker panel put in their place to cover the chassis, and two-tone paint schemes were available.

The final 180s rolled off the Packard assembly line in February, 1942, as World War II brought a halt to civilian automobile production. 

I have always been interested in the streamlining of cars in the 40s and statues of tigers, leopards and jaguars in sculpture of the 30s... 

Streamline Moderne

A related style named Streamline Moderne, or simply Streamline, developed soon after Art Deco. Streamline was influenced by the modern aerodynamic designs,[14] including those developing from the advancing technologies of aviation, ballistics, and other applications requiring high velocity. The shapes resulting from scientifically applied aerodynamic principles were adopted for Art Deco, applying streamlining techniques to other useful objects of everyday life, such as cars. The Chrysler Airflow design of 1933 was unsuccessful commercially,[26] but the beauty of the design, being functional rather than simply added ornamentation, provided the precedent for more conservatively designed pseudo-streamlined vehicles.

Streamlining quickly influenced American and European automobile design and changed the appearance from the rectangular "horseless carriages" into sleek vehicles with sweeping lines, symmetry, and V-shapes that seemed to add to their suggestiveness of speed and efficiency.[27] Nash Motors introduced the modern fully unitized body (monocoque) design for the low-price market during 1941[28] that featured fastback “Slipstream” models with high prow-like hoods, and art-deco "speed lines" for chrome grilles and parallel bar trim.[29] These aerodynamic-looking designs were applied by automakers and continued to be popular in the sellers' market after World War 2.[30] These "streamlined" forms began to be used for the design of mundane and static objects such as pencil sharpeners, refrigerators,[14] and gas pumps.[31]

IMG_0777 - Version 2

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Taken on: July 22, 2012

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Packard 180

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Sets appears in: • Arizona 2012

Groups appears in: • Antique, Vintage, Classic Cars and Trucks • " MASTER CLASS PHOTOGRAPHY " more » • Cars of the 1940's « less

Camera: Canon PowerShot SX150 IS, f/3.4, 1/200 sec, 5mm, ISO 100 (more info) (hide info)

Camera:	Canon PowerShot SX150 IS
Aperture:	f/3.4
Exposure Time:	0.005 sec (1/200)
Focal Length:	5mm
ISO:	100
Exposure Bias:	0 EV
Flash:	Off, Did not fire
Exposure Mode:	Auto
Metering Mode:	Multi-segment
White Balance:	Auto
Color Space:	sRGB
Software:	QuickTime 7.7.1
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$Jerome Grand Hotel /|\ Touring Sedan /|\ Packard One Eighty /|\ Art Moderne Streamlined Hood Ornament$

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