Virgin and Child with two angels, a saint worshipping, a youth seated on a stool, and another figure, possibly an angel, c1490

            Benozzo Gozzoli
Pen and bistre and wash heightened with white on pink tinted paper

Gozzoli, who was Donatello's younger contemporary, has worked out his ideas to differnet degrees of finish, demonstrating the type of preparatory drawings made by both sculptors and painters like himself.  He used pen and ink, the best medium for working at pace with expressive flourish, whilst the tinted paper and wash add colour and volume.*

From the exhibition

Donatello: Sculpting the Renaissance
(11 February - 11 June 2023)

This first major UK exhibition to explore the exceptional talents of the Renaissance master Donatello, arguably the greatest sculptor of all time, presented a fresh vision of the artist and his influence on subsequent generations.
 Donatello (about 1386 – 1466) is arguably the greatest Italian Renaissance sculptor. He revolutionised sculpture both through his inventive treatment of imagery, and his mastery of an extraordinary range of materials – including marble and stone, bronze, wood, terracotta and stucco as well as unusual mixed media. He rarely repeated himself, striving for innovation and never quenching his thirst for experimentation.
Born in Florence around 1386, Donatello is one of the most inventive and influential artists of the Renaissance.  Throughout a career lasting over 60 years, his extraordinary sculpture was at the heart of the revolution in art and culture taking place in 15th-century Italy. 
Always at the cutting edge, Donatello combined the growing interest in ancient Greece and Rome with familiar traditions.  He used a wide variety of materials and techniques, creating innovative sculptures to adorn public and private settings.  Through exceptional ingenuity and emotional insight, he captured the essence of the human experience in sculptural form and paved the way for sculptors and painters alike. 
This exhibition explores Donatello's creativity and unique vision, his workshop practices and collaborations, and his enduring impact on artists across the centuries. 
[*Victoria & Albert]

Taken in the V&A

Some rights reserved

Taken on: June 10, 2023

Tags:

10.06.23

London

South Kensington

Victoria & Albert Museum

V&A

Donatello: Sculpting the Renaissance

Donatello

Sculpting the Renaissance

Renaissance master

sculptures

marble

stone

bronze

wood

terracotta

stucco

ancient Greece

ancient Rome

Virgin and Child with two angels, a saint worshipping, a youth seated on a stool, and another figure, possibly an angel

Virgin and Child

angels

saint

worshipping

Benozzo Gozzoli

Pen

bistre

wash

tinted paper

Gozzoli

preparatory drawings « less

Sets appears in: • Kensington & Chelsea • Victoria & Albert more » • Artworks • Galleries & Museums « less

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