Comet Diaries - Episode Two - a photo on Flickriver

            A few of you have been kind enough to tell me you were looking forward to the next instalment of my Comet Neowise adventures at Wheal Coates.  I hope the sequel doesn't disappoint you.  To everyone else, apologies for dragging you through already overgrown ground a second time.  If you're wondering what I'm on about, my previous post entitled "Nocturnal Shenanigans at Wheal Coates and Beyond" will hopefully provide the intelligence you're looking for.  Or very possibly not.

The early hours of Monday morning had brought an exciting and diverse collection of experiences, not all of them happy ones and I was looking forward to a slightly less incident packed return to the scene 24 hours later.  Two consecutive clear nights were coinciding with two days of leave from work and the arrival of a comet in the night skies and it seemed almost careless to overlook the opportunity.  Cornwall's leaden grey skies aren't usually this helpful.  Remember that eclipse of the sun in 1999 where the world stood on its doorstep watching sky turn black in the middle of the day?  I don't.  Our day that summer involved staring in frustration at a completely overcast sky from our back garden. Enough said.

I'd arranged to meet with Hudson, the only man I know who has his own Wikipedia entry, earned from a lifetime of service to music.  Ok it's a Wikipedia entry and not an MBE, but what he can't do with an electric violin wedged under his chin and a bow in his hand isn't worth doing.  From Hudson I learned something new.  Ever heard of the 500 rule?  I hadn't either.  Generally speaking I'm not keen on rules.  I should stress I'm not inviting you to visit your local post office with a stocking on your head brandishing a lead pipe, but take the rule of thirds for example.  Or the one which says you shouldn't put the horizon on the halfway line.  I might use them sometimes, but they seem formulaic to me.  I like breaking rules, but the 500 rule is undeniably a good one to follow if you're shooting the stars.  Divide 500 by your focal length and that's the maximum number of seconds exposure time to avoid moving stars in your image.  Who knew?  Well Hudson did apparently.  Amazingly,  8 seconds seems to be enough.  I've just realised I was at 40mm.  I could have had 4 more.

I'd brought a torch with me and announced loudly to the other 5 or 6 photographers who we knew were lurking nearby in the darkness that I was going to put it inside the engine house. I took the non-existent response as agreement and returned to my tripod to take the shot.  Once we were both happy that we'd got a photograph or two we could work with, Hudson made ready to leave and I returned to collect the torch from the illuminated engine house, demanding royalties from the apparently happy collection of photographers who'd profited from the unexpected light show.  

Arriving home sometime after midnight I stood beneath the neighbour's pine tree to say hello to the juvenile Tawny Owl I'd met the night before, only to be greeted by three of them sitting on a branch side by side, staring back at me.  It's a memory I'm going to keep forever.  I'm still smiling about it now.

I've just realised that the engine house is more or less on the third and so is the horizon.  I'm feeling formulaic now......

Taken in: UK / England / St. Agnes / Towan Cross (show map)

Taken on: July 20, 2020

Tags:

comet

neowise

mine

mining

Tin mine

Tin

Cornwall

Coast

British Coast

cornish coast

West Country

west country clickers

Kernow

Kernofornia

Kernowfornia

Night

night sky

midnight

starry nights

stars

Star

St Agnes

summer

Atlantic

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explore_britain

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Sets appears in: • Explored • Wheal Coates and Chapel Porth

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Camera: Canon EOS 5D Mark IV, f/3.5, 8 sec, 40mm, ISO 1250 (more info) (hide info)

Camera:	Canon EOS 5D Mark IV
Lens:	EF24-70mm f/2.8L USM
Aperture:	f/3.5
Exposure Time:	8
Focal Length:	40mm
ISO:	1250
Exposure Bias:	0 EV
Flash:	Off, Did not fire
Exposure Program:	Manual
Exposure Mode:	Manual
Metering Mode:	Multi-segment
White Balance:	Auto
Color Space:	sRGB
Software:	Adobe Photoshop 21.2 (Windows)
Show full info

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