Salle des Chevaliers (Knight's Hall), Mont Saint Michel, Manche, Normandie, France. fine art, black & white

Le Mont-Saint-Michel is an island and mainland commune in Normandy, France. The island is located about one kilometer off the country's northwestern coast, at the mouth of the Couesnon River near Avranches and is 7 hectares in area. The mainland part of the commune is 393 hectares in area so that the total surface of the commune is 400 hectares with a population of 50. The island has held strategic fortifications since ancient times and since the 8th century AD has been the seat of the monastery from which it draws its name. The structural composition of the town exemplifies the feudal society that constructed it: on top, God, the abbey and monastery; below, the great halls; then stores and housing; and at the bottom, outside the walls, houses for fishermen and farmers. The commune's position—on an island just a few hundred metres from land—made it accessible at low tide to the many pilgrims to its abbey, but defensible as an incoming tide stranded, drove off, or drowned would-be assailants. The island remained unconquered during the Hundred Years' War; a small garrison fended off a full attack by the English in 1433. Louis XI recognised the reverse benefits of its natural defence and turned it into a prison. The abbey was used regularly as a prison during the Ancien Régime.

The original site was founded by an Irish hermit, who gathered a following from the local community. Mont-Saint-Michel was used in the sixth and seventh centuries as an Armorican stronghold of Gallo-Roman culture and power until it was ransacked by the Franks, thus ending the trans-channel culture that had stood since the departure of the Romans in 460. From roughly the fifth to the eighth century, Mont Saint-Michel belonged to the territory of Neustria and, in the early ninth century, was an important place in the marches of Neustria. Before the construction of the first monastic establishment in the 8th century, the island was called Mont Tombe(Latin: tumba). According to a legend, the archangel Michael appeared in 708 to Aubert of Avranches, the bishop of Avranches, and instructed him to build a church on the rocky islet. Unable to defend his kingdom against the assaults of the Vikings, the king of the Franks agreed to grant the Cotentin peninsula and the Avranchin, including Mont Saint-Michel traditionally linked to the city of Avranches, to the Bretons in the Treaty of Compiègne (867). This marked the beginning of a brief period of Breton possession of the Mont. In fact, these lands and Mont Saint-Michel were never really included in the duchy of Brittany and remained independent bishoprics from the newly created Breton archbishopric of Dol. When Rollo confirmed Franco as archbishop of Rouen, these traditional dependences of the Rouen archbishopric were retained in it. The mount gained strategic significance again in 933 when William I Longsword annexed the Cotentin Peninsula from the weakened Duchy of Brittany. This made the mount definitively part of Normandy, and is depicted in the Bayeux Tapestry, which commemorates the 1066 Norman conquest of England. Harold Godwinson is pictured on the tapestry rescuing two Norman knights from the quicksand in the tidal flats during a battle with Conan II, Duke of Brittany. Norman ducal patronage financed the spectacular Norman architecture of the abbey in subsequent centuries. In 1067 the monastery of Mont Saint-Michel gave its support to William the Conqueror in his claim to the throne of England. This he rewarded with properties and grounds on the English side of the Channel, including a small island off the southwestern coast of Cornwall which was modelled after the Mount and became a Norman priory named St Michael's Mount of Penzance. During the Hundred Years' War, the Kingdom of England made repeated assaults on the island but were unable to seize it due to the abbey's improved fortifications. The English initially besieged the Mont in 1423–24, and then again in 1433–34 with English forces under the command of Thomas de Scales, 7th Baron Scales. Two wrought-iron bombards that Scales abandoned when he gave up his siege are still on site. They are known as les Michelettes. Mont Saint-Michel's resolute resistance inspired the French, especially Joan of Arc. When Louis XI of France founded the Order of Saint Michael in 1469, he intended that the abbey church of Mont Saint-Michel become the chapel for the Order, but because of its great distance from Paris, his intention could never be realised. The wealth and influence of the abbey extended to many daughter foundations, including St. Michael's Mount in Cornwall. However, its popularity and prestige as a centre of pilgrimage waned with the Reformation, and by the time of the French Revolution there were scarcely any monks in residence. The abbey was closed and converted into a prison, initially to hold clerical opponents of the republican regime. High-profile political prisoners followed, but by 1836, influential figures—including Victor Hugo—had launched a campaign to restore what was seen as a national architectural treasure. The prison was finally closed in 1863, and the mount was declared a historic monument in 1874. Mont Saint-Michel and its bay were added to the UNESCO list of World Heritage Sites in 1979, and it was listed with criteria such as cultural, historical, and architectural significance, as well as human-created and natural beauty. en.wikipedia.org/wiki/Mont-Saint-Michel

Taken in: France / Normandy / Avranches (show map)

Taken on: June 12, 2019

Tags:

“Mont St Michel”

“St Michael’s Mount”

Manche

Normandy

France

tidal

island

sea

abbey

“Bayeux Tapestry”

monastery

“8th century”

UNESCO

“World Heritage Site”

fortifications

“quick sand”

castle

“Salle des Chevaliers”

“Knight’s Hall”

columns

windows

light

contrast

B&W

Black&white

“black & white”

“black and white”

noireetblanc

monochrome

“fine art”

ethereal

striking

artistic

interpretation

impressionist

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style

shadow

dark

black

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peaceful

tranquil

restful

Interior

inside

building

architectures

indoors

Canon

70D

“Canon 70D”

Sigma

10-20

10-20mm

f4-5.6

“SIGMA 10-20mm f/4-5.6 DC HSM”

“wide angle”

ultrawide

light-rays « less

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Camera: Canon EOS 70D, f/8.0, 2.5 sec, 10mm, ISO 100 (more info) (hide info)

Camera:	Canon EOS 70D
Lens:	10-20mm
Aperture:	f/8.0
Exposure Time:	2.5
Focal Length:	10mm
ISO:	100
Exposure Bias:	+2/3 EV
Flash:	Off, Did not fire
Exposure Program:	Aperture-priority AE
Exposure Mode:	Auto bracket
Metering Mode:	Multi-segment
White Balance:	Auto
Color Space:	sRGB
Software:	Adobe Photoshop CC 2019 (Macintosh)
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