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Paul Whydall
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000metersofcable 134smallerdistributionboardsandover5 2isoneofthe47prefecturesofjapanitislocatedontheeasternsideofthemainislandhonshūandincludestheizuislandsandogasawaraislandstokyometropoliswasformedin1943fromthemergeroftheformertokyoprefecturetokyofuandth acameliahouseartistsworkingatyspoftentaketheirinspirationfromeitherthearchitectural accordingtothemercerandeconomistintelligenceunitcostoflivingsurveys7andnamedthethirdmostliveablecityandtheworld’smostlivablemegalopolisbythemagazinemonocle acloudthatwecouldanimate afivemeterlongdigitalsculpturewhosesurfaceiscoveredwith4638flipdotsthatcanbeindividuallyaddressedbyacomputertoanimatetheentireskinofthesculptureflipdotswereconventionallyusedinthe70sand80stocreatesignsintrains alongwithnewyorkcityandlondon4thiscityisconsideredanalphaworldcity amman andthehomeofthejapaneseimperialfamilythetokyometropolitangovernmentadministersthetwentythreespecialwardsoftokyo andthelargestmetropolitanareaofjapanitistheseatofthejapanesegovernmentandtheimperialpalace angelofthenorth anicehouse anotherplace anthonygormley aphysicalandtactilequalitythatmoremoderntechnologiesoftenlack arcdetriomphe arcdetriomphedelétoile architecture art atmosphereandformoftheinstallationanotheroneofourinspirationscamefromtheoldelectromagneticflipdotsthatwereusedinrailwayandairportsignsfromthemid70sthosesigns attic austinwright bakewell beingdematerialisedintothevirtualwedreamtofapplyingthisredundanttechnologytooursculpture berlin berlinwall butlaterforgotten cablesandcomputerneededtocontrolthedotscloudwasbuiltas2separatepieces chatsworth cityhall contemporary contemporyart demonstration derby derbyshire designmuseum distributionboardsandcablepassescloudneedsamainsolidstatecontroller dotsthatflipfromonesidetotheotherwithanelectricimpulsehaveafantasticmateriality dukeofdevonshire eachgovernedasacity eachofthemcodedandwithauniquepositionontheskeleton eduardopaolozzi englandopeningtimesareseasonalbutgallerywithoutwallsthatmeansithasachangingalbeitnotalwaysveryregularlyexhibitionprogramme exploringtheaestheticpotentialoftheflipdotsastheflipdotsflickweareinstantlyremindedofripplingwater forthplinth france friedrichshain gateshead germany glasgow graffiti graffitti grafitti havebeenthesubjectofsoloexhibitionsatyspincludinglynnchadwick hecticairportexperienceandthecalm historicalornaturalenvironmentmostnotablyandygoldsworthyin2007httpwwwartscouncilorgukourworkyorkshiresculpturepark hockley includingnotablyhenrymooreandbarbarahepworththeparkislocatedinwestbretton initiallyabothygalleryinthecurvedbothywallandatemporarytentlikestructurecalledthepaviliongallerymorerecentlyfollowinganextensiverefurbishmentandexpansionysphasaddedamajorundergroundgalleryspaceinthebothygarden inwestyorkshire japan jordan kennetharmitageexhibitionstendtobemonographicratherthangrouporthematictheparkissituatedinthegroundsofan18thcenturyestatebrettonhallwhichwasafamilyhomeuntilmid20thcenturywhenitbecameacollegeoffurtherandhigh kreuzber lacemarket landscapefeaturesandarchitecturalstructuresdatingfromthe18thcenturycanstillbeseenaroundtheparkincludingadeerparkanddeershelterrecentlyconvertedbyamericansculptorjamesturrellintoaninstallation listedbythegawcs2008inventory5andrankedthirdamongglobalcitiesbyforeignpolicys2010globalcitiesindex6in2009tokyowasnamedtheworldsmostexpensivecityforexpatriateemployees liverpool london london2012 londonheathrowlhrterminal5t5forbritishairwaystroikawascommissionedbyartwisecuratorstocreateasignaturepiecefortheentranceofthenewbritishairwaysluxuryloungesinheathrowterminal5inresponse londonsouthbank louvre luminousandetherealworldthatwediscoverasweflythroughthisdenselayerwecameupwiththebasicmetaphor manchester mitte modernart newcastle northeast norway nottingham nottinghamcastle nottinghamcontemporary nottinghamplayhouse nottinghamshire odeon officiallytokyometropolis東京都 ofthemesmerizingmovementsofsnakesandschooloffishfortoaccentuatethisfeelingwechosetocreateonesideofthedotsassilvermirrorsemulatingtheorganictheskinsaremadeoutofaluminiumstripscutflatwithacnclaserandformedont olympic olympicgames olympicstadiumlondon onethoresbystreet orbit osaka oslo painting paris peakdistrict petra philipking prenzlauerberg publicart reichstag representtousagoldenageoftechnologywhenanalogueanddigitalstartedtomergetheindicators royalacadamyofsculptors ruffordpark saachigallery saatchigallery sculpture sculptureinthesanctuary2011 sheffield shimmeringandflirtingwiththeonlookersthatpassbythesculptureislocatedinterminal5intheatriumhallthatleadstothebritishairwaysfirstclassloungesthebrieffrombritishairwayswasopenandsimplecreateasignaturepiecethatma showingworkbyukandinternationalartists skymirror snow southbank station stencilart stratford street streetart streetfurniture tag tate tatemodern tax thatcovertheareathatwasthecityoftokyoaswellas39municipalitiesinthewesternpartoftheprefectureandthetwooutlyingislandchainsthepopulationofthespecialwardsisover8millionpeople thecenterofthegreatertokyoarea theflipdotscreatemesmerizingwavesastheychaseacrossthesurfaceof‘cloud’reflectingitssurroundingcolours themechanicalmassistransformedintoanorganicformthatappearstocomealive thetate theyorkshiresculptureparkgridreferencese282131isanopenairartorganisation tocreateasortoflivingorganism tokyo東京 topandbottomover300differentskinstrips trafalguarsquare troikacloud twodifferentelectronicdriverstopandbottomactingasdistributionfortheelectriccurrent tōkyōeasterncapital tōkyōto usa vodafone wakefield wasneededtocreatethesupportingshapefortheflipdotseachskinstripwasalsopiercedwithallthenecessaryholesinordertoaffixthedotsandpassthedifferentcablesneededforelectricalsupplyatthisstage wealsodesignedthelocationsfortheelectronicdrivers wecreatedcloud whichactsasthebrainofthesystem withtheircharacteristicflickingnoisethatinstantlyinvokestheideaoftravel 2012