My little miracle makers and toolkit - #365/365

I'm happy to say my 365 in-camera project is done - a year's worth of mostly unedited daily photographs. As time went on, I found myself writing a lot more about the content and the technical photographic elements too. In fact, my 365incamera blog has become a relatively accurate journal of my day-to-day life and almost replaced my personal blog. Although I've completed what I set out to do, I'm not going to quit taking shots on a daily basis. However, I feel that having completed a year, I can relax the rules a little. I'm leaving the 365inCamera set and group and continuing with a new set called Daily Photo. I'm going to keep the 365incamera blog, but perhaps change the name.

For the final shot, I had thought of shooting a family portrait, or a self-portrait, but my test shots weren't that different from other shots in the set, so I thought I'd assemble all my equipment. I could have squeezed myself into the shot, but I was already working in a very tight space and the backdrop and mirror were rather limiting.

My Nikon D80 is in the centre of the shot (on a Ultrapod mini tripod) with the newly repaired/adjusted Nikon 18-200mm VR lens. Actually, I have to make a correction already, as the camera is actually a gift I bought my wife a few years ago. Just last month, she officially gave me half the camera, so it's safe to say it's our camera. Thanks darling for letting me take this camera with me almost everywhere I went over the last year.

Top left are the other Nikon lenses I used, the 50mm 1.8, my wife's old 700-300mm G zoom and the kit 18-55mm VR, with a few lens hoods to their left. Over the year I did borrow a few lenses from a friend and they helped complete the project and add some image variety. Those lenses were the Nikon 10.5mm fisheye, the 105mm Micro and the Sigma 10-20mm. Centre is my Manfrotto monopod (a gift from my brother) and to the right is my old Black's tripod. Below the tripod is my Nikon SB-600 Speedlight with a diffuser and Aurora reflector. The point-and-shoot cameras are our original digital camera, the Canon Powershot A620 and the newer Fuji Finepix F200EXR. And let's no forgot my Blackberry - it came in handy a few times. On the left is my Zeikos battery grip and its AA battery holder. Behind my Blackberry are my Zeikoz close-up filters. Under the Canon are my new Cokin ND Grad filters with one of the filters attached with the holder on 18-55mm. Other bits and pieces include: my lens pen cleaner; a Rocket Air blower; battery charger with an extra battery (Zeikos); filter adapter rings; lens cap (which came in handy on lots of occasions to angle the camera up for a impromptu remote shutter release shot); my Nikon remote control; A small LiteDisc reflector; and lastly my Moo business cards (can't leave home without those). The shot took me a very long time to set up. Lighting could have been better, but I'm pretty happy with the shot.

So what have I learnt from the project ? I'll have to write a more comprehensive list at some point (without it becoming a book), but for now, here are a few things I learnt:

The D80 in-camera settings can produce very good JPG images. Often, it seemed to preserve and reproduce colour better than I could produce from RAW file (note that most of the time I shoot in JPG normal and RAW). Now this may be because I'm still not an expert on RAW post-production, but if I spend a little time tweaking the image optimization settings or use a vivid or vivid+ setting on dull weather days, I find I often prefer those images over my work from the RAW file. My normal (custom) settings (Nikon D80 shooting menu - optimize image) are: +1 image sharpening; +1 tone compensation; IIIa color mode; auto saturation and O hue adjustment. When I'm shooting with flash; I change tone compensation to 0 "normal". I leave white balance (WB) set to auto most of the time and often make a -1EV WB adjustment to add a little warmth. WB setting is usually the setting I forget, but in most situations, auto does a good job. On some occasions I noticed that some colours, especially red would be blown out in the RAW version, but the JPG seems to retain the colour better, this may be due to the in-camera noise reduction (NR). Similar in high ISO situations (above 800), the in-camera NR worked well, but after working with the RAW version, the final image looked too grainy. Again, this is likely because my RAW post-processing skills are not the greatest. Almost all the shots in the project were JPG, but these observations were made as I worked with RAW versions of other shots from the same event. So I'll likely continue to shoot in both JPG and RAW, using the RAW when I need to recover blown out areas (e.g. sky or facial), correct WB or process tricky lighting shoots in batch.

I shot a lot of black & white and was quite happy with the in-camera B&W setting. I used similar custom settings as in colour mode, and experimented a little with the B&W filters. I found that choosing a filter effect other than red was preferable for portraits.

I almost always use aperture priority mode, center focus mode with full matrix light metering. Auto-focus mode set to auto (AF-A) most of the time, but ready to switch to AF-C for moving subject (sports, etc) and AF-S to if auto mode isn't reading my brain !

I always carry an extra battery and my lens pen cleaner. The pop-up flash is ok on the D80, but the SB-600 Speedlight produces much more natural illumination, especially for interior shots. I almost always have a diffuser attached and on occasion use a defector to create better catchlights in the eye. I don't always carry the SB-600 with me, but it's nice to have the pop-up as a back-up when needed.

My 18-200mm VR lens is on the camera most of the time with the 50mm (nifty fifty) stepping in when striving for better portraits, in low light concert settings and for shallow depth-of-field artistic shots. I put the close-up filters to use quite a few times and because they are 52mm filters, used them on the 50mm and the 18-55mm fit lens. I also used a Hoya polarizer filter (cirpl tag, missing from the shot) quite often, especially for reflective effects and landscapes. I only recently bought the Cokin ND Grad filters so haven't shot a lot with them yet. They are a little awkward to use, but having different diameter adapters and a variety of filters provides a lot of flexibility.

Of course the biggest lesson I learnt was to always take your camera with you. Take shots often and don't be shy approaching situations and people. If you're just beginning with taking shots of strangers or people on the street, musicians, street performers and people gathered for an event are much easier subjects.

#365 in my 365inCamera project - www.flickr.com/groups/1285323@N21/pool and Project 365.

If you're wondering where photos 361-364 are, I just found there were 4 duplicate numbered old shots, so I renumbered those to fill in the gap.

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Taken on: November 10, 2010

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Camera: Nikon D80, f/25.0, 18 sec, 22mm (=33mm), ISO 100 (more info) (hide info)

Camera:	Nikon D80
Aperture:	f/25.0
Exposure Time:	18
Focal Length:	22mm (35mm equivalent: 33mm)
ISO:	100
Exposure Bias:	+1 EV
Flash:	No Flash
Exposure Program:	Aperture-priority AE
Exposure Mode:	Auto
Metering Mode:	Multi-segment
White Balance:	Manual
Contrast:	High
Sharpness:	Hard
Color Space:	sRGB
Software:	Adobe Photoshop Elements 6.0
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