the clockwatchers, at the great clock window, Musee D'Orsay, Paris, France

Musée d'Orsay is a museum in Paris, France, on the left bank of the Seine www.musee-orsay.fr/en/home.html . It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898 and 1900. The museum holds mainly French art dating from 1848 to 1914, including paintings, sculptures, furniture, and photography. It houses the largest collection of impressionist and post-Impressionist masterpieces in the world, by painters including Monet, Manet, Degas, Renoir, Cézanne, Seurat, Sisley, Gauguin and Van Gogh. Many of these works were held at the Galerie nationale du Jeu de Paume prior to the museum's opening in 1986. It is one of the largest art museums in Europe. The museum building was originally a railway station, Gare d'Orsay, constructed for the Chemin de Fer de Paris à Orléans and finished in time for the 1900 Exposition Universelle to the design of three architects: Lucien Magne, Émile Bénard and Victor Laloux. It was the terminus for the railways of southwestern France until 1939. By 1939 the station's short platforms had become unsuitable for the longer trains that had come to be used for mainline services. After 1939 it was used for suburban services and part of it became a mailing centre during World War II. It was then used as a set for several films, such as Kafka's The Trial adapted by Orson Welles, and as a haven for the Renaud–Barrault Theatre Company and for auctioneers, while the Hôtel Drouot was being rebuilt. In 1970, permission was granted to demolish the station but Jacques Duhamel, Minister for Cultural Affairs, ruled against plans to build a new hotel in its stead. The station was put on the supplementary list of Historic Monuments and finally listed in 1978. The suggestion to turn the station into a museum came from the Directorate of the Museums of France. The idea was to build a museum that would bridge the gap between the Louvre and the National Museum of Modern Art at the Georges Pompidou Centre. The plan was accepted by Georges Pompidou and a study was commissioned in 1974. In 1978, a competition was organized to design the new museum. ACT Architecture, a team of three young architects (Pierre Colboc, Renaud Bardon and Jean-Paul Philippon), were awarded the contract which involved creating 20,000 sq. m. of new floorspace on four floors. The construction work was carried out by Bouygues.[3] In 1981, the Italian architect, Gae Aulenti was chosen to design the interior including the internal arrangement, decoration, furniture and fittings of the museum. Finally in July 1986, the museum was ready to receive its exhibits. It took 6 months to install the 2000 or so paintings, 600 sculptures and other works. The museum officially opened in December 1986 by then-president, François Mitterrand.

Taken in: France / Île-de-France / Paris / Quartier Saint-Thomas-d'Aquin (show map)

Taken on: June 11, 2016

Tags:

Tamron

16-300

“TAMRON 16-300mm F/3.5-6.3 Di II VC PZD B016”

“Musée d'Orsay”

Paris

France

“left bank”

Seine

“Rive Gauche”

“Gare d’Orsay”

“Orsay railway Station”

museum

“Beaux Arts”

“French art”

station

railway

“fine art”

art

sculptures

furniture

Gare d'Orsay

“Black and white”

B&W

HDR

Black&white

monochrome

silhouette

silhouettes

clock

window

clockwatcher

clockwatchers

horloge

horloges

light

shadow

contrast

black and white

glass

hands

montre « less

Sets appears in: • Black and white • Paris, France more » • Tamron 16-300mm F/3.5-6.3 Di II VC PZD « less

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Camera: Canon EOS 7D, f/4.5, 1/2500 sec, 20mm, ISO 3200 (more info) (hide info)

Camera:	Canon EOS 7D
Lens:	TAMRON 16-300mm F/3.5-6.3 Di II VC PZD B016
Aperture:	f/4.5
Exposure Time:	1/2500 sec
Focal Length:	20mm
ISO:	3200
Exposure Bias:	-1/3 EV
Flash:	Off, Did not fire
Exposure Program:	Aperture-priority AE
Exposure Mode:	Auto bracket
Metering Mode:	Multi-segment
White Balance:	Auto
Color Space:	Uncalibrated
Software:	Adobe Photoshop CC 2015.5 (Macintosh)
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