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Vacances21_210207

            Basílica de Santa María la Real, Asturias, España.

La basílica de Santa María la Real es un sitio de culto católico situado en Covadonga, Principado de Asturias (España), declarado basílica menor el 11 de septiembre de 1901.

El templo fue ideado por Roberto Frassinelli y levantado entre 1877 y 1901 por el arquitecto Federico Aparici y Soriano, de estilo neorrománico, construido íntegramente en piedra caliza rosa. 

La basílica presenta una gran unidad estilística dentro de los cánones del estilo románico en el que fue concebida, aunque incluye elementos propios de la arquitectura gótica. El edificio se asienta sobre una gran terraza. Presenta tres naves, la central notablemente más alta que las laterales, con transepto y cabecera rematada por tres ábsides escalonados; las naves se cubren por bóvedas de arista. La fachada principal llama la atención por las esbeltas agujas que rematan las torres y la presencia de óculos. El acceso se forma por un pórtico adelantado a la nave, con tres arcadas de medio punto y rematadas por un pretil. En todo el edificio destaca la tonalidad rosácea por el tipo de piedra caliza que contrasta con el verde del paisaje.

En el interior, destaca la imagen de Nuestra Señora, que recibe culto en el altar mayor, obra del escultor decimonónico Juan Samsó. Debemos destacar la puerta del sagrario, obra del diseñador Alfredo Miranda Fernández(1911-2009)y realizada en Barcelona en los talleres de Modest Morató (1909-1993).

The Basilica of Santa María la Real is a Catholic cult site located in Covadonga, Principality of Asturias (Spain), declared a lower basilica on September 11, 1901.

The temple was devised by Roberto Frassinelli and raised between 1877 and 1901 by the architect Federico Apartici and Soriano, in a neo -Romanesque style, built entirely in pink limestone.

The basilica has a great stylistic unit within the canons of the Romanesque style in which it was conceived, although it includes elements of Gothic architecture. The building sits on a large terrace. It has three ships, the plant remarkably higher than the sides, with transept and header topped by three staggered apses; The ships are covered by edge vaults. The main facade draws attention to the slender needles that finish the towers and the presence of oculos. Access is formed by a porch advanced to the ship, with three half -point arcades and topped by a prestile. Throughout the building, rosacea tone stands out for the type of limestone that contrasts with the green of the landscape.

Inside, the image of Our Lady stands out, which receives cult at the main altar, work of the nineteenth -century sculptor Juan Samsó. We must highlight the Gate of the Tabernacle, the work of the designer Alfredo Miranda Fernández (1911-2009) and held in Barcelona in the workshops of Modest Morató (1909-1993).

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Taken in: Spain / Asturias / Cangas de Onís / Covadonga (show map)

Taken on: August 5, 2021

Tags:

Asturias

España

Canon EOS 80D

EOS D

Auto Focus

Flors

Flores

Flowers

Fiori

Fleur « less

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Camera: Canon EOS 80D, f/5.6, 1/100 sec, 55mm, ISO 160 (more info) (hide info)

Camera:	Canon EOS 80D
Aperture:	f/5.6
Exposure Time:	0.01 sec (1/100)
Focal Length:	55mm
ISO:	160
Exposure Bias:	0 EV
Flash:	Off, Did not fire
Exposure Program:	Program AE
Exposure Mode:	Auto
Metering Mode:	Multi-segment
White Balance:	Auto
Color Space:	Uncalibrated
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